Índice de Autores

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| Á | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | Y | Z
  • Mariano Picón Salas (1901-1965) was a preeminent Venezuelan essayist, educator, and diplomat. He lived and taught in Chile from 1923 to 1936, during the dictatorship of Juan Vicente Gómez in Venezuela. He founded and directed the Revista Nacional de Cultura and the Faculty of Philosophy and Letters of the Central University of Venezuela, and held teaching positions in Venezuelan, Argentina, Mexico, and the United States. He was Venezuela’s ambassador to Brazil, Colombia, Mexico, and UNESCO, as well as secretary general of the Venezuelan cabinet, and at the time of his death he was president-designate of the National Institute of Culture and Fine Arts.

  • Photo: Steven Rodríguez

    David Caleb Acevedo (San Juan, Puerto Rico, 1980). His published works are: Bestiario en nomenclatura binomial, Empírea: Saga de la Nueva Ciudad, Terrarium, and Hustler Rave XXX: Poetry of the Eternal Survivor (poetry books, the latter with Charlie Vázquez); Las formas del diablo, Cielos negros, and ðēsôngbərd (short story books); el Oneronauta and Historias para pasar el fin del mundo (novels), Diario de una puta humilde (memoir), and the anthologies Los otros cuerpos: antología de temática gay, lésbica y queer desde Puerto Rico y su diáspora (with Luis Negrón and Moisés Agosto-Rosario) and Felina: antología para gatos (with Cindy Jiménez-Vera). 

  • Photo: Paula Vásquez

    Santiago Acosta is an American-born Venezuelan poet living in New York City, where he is a PhD candidate in Latin American and Iberian Cultures at Columbia University. In 2018 his poetry manuscript El próximo desierto [The next desert] won the José Emilio Pacheco Literature Prize, awarded by the Guadalajara International Book Fair and University of Guadalajara, Mexico. He has published Mañana vendrán las piedras [Tomorrow the stones will come], a photobook made in collaboration with photographer Efraín Vivas (Archivo de Fotografía Urbana, 2019); Cuaderno de otra parte [Notebook from somewhere else] (Libros del Fuego, 2018); and Detrás de los erizos [Behind the sea urchins], winner of the contest for previously unpublished authors organized by Monte Ávila Editores (2007). In San Francisco he co-directed the journal Canto: A Bilingual Review of Latin American Civilization, Culture, and Literature. He was a founder and editor of the poetry magazine El Salmón, which won Venezuela’s National Book Award in 2010. 

  • Ángel Gilberto Adame holds a Master’s degree in Law and a Bachelor’s degree in Economics, and is Mexico City Notary #233. He is the author of the legal texts El impuesto sobre adquisición de inmuebles and Antología de académicos de la Facultad de Derecho. He has also written the following texts on Octavio Paz: “El misterio de la vocación,” “Octavio Paz en 1968: el año axial” (coauthored by Guillermo Sheridan), and “Pasiones, Fracturas y Rebeliones: Paz, Neruda y Bergamín.” On historical subjects, he has published “De armas tomar: feministas y luchadoras sociales de la Revolución mexicana” and “El séptimo sabio. Vida y derrota de Jesús Morena Baca.”

  • Photo: Verónica Bellomo

    Katya Adaui (Lima, 1977) is author of the short story collections Geografía de la oscuridad, Aquí hay icebergs, and Algo se nos ha escapado, and of the novel Nunca sabré lo que entiendo. Her narrative work has been included in more than twenty anthologies in Peru and other countries. Her work has been translated into English and Italian. Currently, she lives in Buenos Aires and teaches literary workshops.

  • Jorgenrique Adoum, widely-recognized as the most important Ecuadorian intellectual of the twentieth century, was an award-winning poet, novelist, essayist, and playwright. Of Lebanese descent, he was born in the Andean town of Ambato in 1926. During his lifetime, he published fourteen books of poetry. He belonged to a pioneering and yet often overlooked group of Spanish American poets known as “conversacionalistas,” who emphasize the orality of language, make use of the languages of the social sciences and mass media, and innovate by challenging poetic limits and by requiring an active reader, one considered a co-author. Adoum spent much of the sixties, seventies, and eighties in exile, mainly in Paris, returning to Ecuador in 1987, where he continued to write. He died in Quito in 2009 and is buried at the Chapel of Man, the museum and cultural center created by his friend, the outstanding visual artist Oswaldo Guayasamín.

  • Juan Afanador (Bogotá, Colombia, 1992) studied Anthropology with an emphasis on Creative Writing at the Universidad de los Andes. Some of his poems have been published in REC (the magazine of the students of Arts and Humanities of the Universidad de los Andes), Cabeza de gato, La raíz invertida, and Literariedad, as well as in Conexos magazine. He is founder, director, and member of the editorial board of the virtual poetry magazine Otro páramo.

  • Raúl Aguiar (Havana, 1962) is a Cuban writer, essayist, professor, and researcher. He is a member of the UNEAC and the Asociación Hermanos Saíz. His books include the novel La hora fantasma de cada cual [Each one's ghost hour] (Premio David 1989), the novelette Mata (Premio Pinos Nuevos 1994), the short story collection Daleth (Premio Luis Rogelio Nogueras 1993), the research project Realidad virtual y cultura ciberpunk [Virtual reality and cyberpunk culture] (Premio Abril 1994), and the novel La estrella bocarriba [The face-up star] (Editorial Letras Cubanas 2001). He has also published short stories in several Cuban and international anthologies, including Los últimos serán los primeros, Recurso extremo, Contactos, Fábula de Ángeles, El ánfora del diablo, Anuario de la UNEAC 1994, El cuerpo inmortal (Cuban erotic fiction), Toda esa gente solitaria (Cuban stories about AIDS), and Aire de Luz among others, as well as in the journals Muchacha, La Gaceta de Cuba, Letras Cubanas, Juventud Técnica, Exégesis (Puerto Rico), and Camión de ruta (Peru), among others. He writes in a language full of mythic and poetic codes, establishing a very special congruence with cyberpunk culture.

  • Dida Aguirre García (Huancavelica, 1952) is the author of three books of poetry in Quechua and Spanish: Arcilla (1989), Jarawi (1999, National Prize for Poetry in Quechua, Universidad Nacional Federico Villareal, 1999), and Qaparikuy (2012). Her work appears in the anthologies Poesía Peruana: Siglo XX (Vol. II, PETROPERÚ, 1999) and Poetas peruanas de antología (2009). She has taken part in international poetry festivals in Cuba, Venezuela, Colombia, and México. The book Pichka harawikuna: Five Quechua Poets (1998) includes her poems in translation to English.

  • Photo: Nina Subin

    César Aira was born in Coronel Pringles, Argentina in 1949, and has lived in Buenos Aires since 1967. He taught at the University of Buenos Aires (about Copi and Rimbaud) and at the University of Rosario (Constructivism and Mallarmé), and has translated and edited books from France, England, Italy, Brazil, Spain, Mexico, and Venezuela. Perhaps one of the most prolific writers in Argentina, and certainly one of the most talked about in Latin America, Aira has published more than eighty books to date in Argentina, Mexico, Colombia, Venezuela, Chile, and Spain, which have been translated for France, Great Britain, Italy, Brazil, Portugal, Greece, Austria, Romania, Russia, and now the United States. One novel, La prueba [The proof], has been made into a feature film, and How I Became a Nun was chosen as one of Argentina’s ten best books. Besides essays and novels, Aira writes regularly for the Spanish newspaper El País. In 1996 he received a Guggenheim scholarship, in 2002 he was short listed for the Rómulo Gallegos prize, and he has been shortlisted for the Man Booker International Prize.

  • Argentine writer César Aira is the author of over a hundred short stories, novels and essays. He has proclaimed himself as an avant-garde writer who engages in the “flight forward” type of writing. This self-developed style has given him the ability to innovate without conforming to generic expectations.

  • Humberto Ak’abal with translator Paul M. Worley

    Humberto Ak’abal (1952-2019, Momostenango, Guatemala) is perhaps the best known Maya K’iche’ poet in Guatemala and beyond. Renowned for his innovative use of poetic devices such as onomatopoeia and for his energetic public performances, until the end of his life he was loyal to his community and to Indigenous movements throughout Abya Yala.

  • Daniela Alcívar Bellolio was born in Guayaquil in 1982 and lived in Buenos Aires from 2005-2017. She is a writer, literary critic, scholar, and editor. She has published the novel Siberia (Premio Joaquín Gallegos 2018, Premio La Linares 2018; Candaya 2019), the collection of short stories Para esta mañana diáfana (2016), and the essay collections Pararrayos. Paisajes, lecturas, memorias (2016) and El silencio de las imágenes (2017). She currently lives in Quito where she directs the Centro Cultural Benjamin Carrión. In a recent interview for the Hablemos Escritoras podcast she discusses her literary development, interests, and current work. 

  • Frederick Luis Aldama is a distinguished professor at the Ohio State University with a joint appointment in Spanish and Portuguese as well as faculty affiliation in film studies and the Center for Cognitive and Brain Sciences. He is the award-winning author, co-author, and editor of over 40 books and the editor of 9 book series. He directs the Latinographix Series at The Ohio State University Press, which will publish United States of Banana, a Graphic Novel by Giannina Braschi and Joakim Lindengren with an introduction by Amanda Smith and Amy Sheeran in 2021.

  • Photo: Curbstone Press

    Claribel Alegría (1924–2018) is often considered the most important contemporary Central American writer. She was born in Estelí, Nicaragua, but spent most of her youth in the Santa Ana region of western El Salvador because of her father’s political exile. In 1943 she came to the United States to study at George Washington University, where she received her bachelor’s degree in philosophy and letters. She would not return to her country of origin until 1979, after the Sandinista National Liberation Front took control of the government. Influenced by the political climate of Central America, Alegría’s poetry focused on the human condition in the region. Alegría’s numerous books of poetry include Anillo de silencio (1948), Acuario (1956), Huésped de mi tiempo (1961), Sobrevivo (1978), Mujer del río/Woman of the River (1989), Saudade (1999; Eng. Sorrow, 1999), and Soltando amarras (2002; Eng. Casting Off, 2003). Her two major poetry anthologies in Spanish include Una vida en poemas, ed. Conny Villafranca F. (2003), and Esto soy: Antología poética de Claribel Alegría, ed. Luis Alvarenga (2004). Posthumously, her work was included in Ghost Fishing: An Eco-Justice Poetry Anthology (2018).

  • Diego Alfaro (Limache, 1984) is a Chilean poet, translator, and editor. He has published the verse collections Piano de juguete (2008), Paseantes (2009), and Tordo (2015). His translations of English-language poets, including Ted Hughes and Philip Larkin, have appeared in several journals and websites. He also edited the books Antología de la poesía de Cecilia Casanova (Universidad de Valparaíso, 2013) and Homenaje a Ezra Pound desde Chile (Editorial Universitaria, Santiago, 2010). In 2015, his book Tordo was awarded the Municipal Literature Prize of Santiago.

  • Photo: Bia Wouk

    Brazilian novelist, critic, and diplomat João Almino is the author of three volumes of essays and five of philosophy, in addition to the five novels of his Brasilia Quintet, of which Dalkey has published the last two, The Book of Emotions and Free City. He has taught at Berkeley, Stanford, the National Autonomous University of Mexico, the University of Brasilia, and the University of Chicago. Among other awards, Almino won the 2003 Casa de las Américas Award for The Five Seasons of Love and the 2011 Prêmio Passo Fundo Zaffari and Bourbon de Literatura for Free City. In 2017, he was elected to the Brazilian Academy of Letters. The Last Twist of the Knife is his seventh novel.

  • Mercedes Alvarado is the author of Días de luz larga (Elefanta, 2020) and Apuntes de algún tiempo (Verso Destierro, 2013). She produced Y hasta la muerte amar (2017), a collection of poetry with illustrations and two poetry-short films. Some of her poetry has been published in Mexico, the U.S., Spain, Portugal, and Norway. Her creative work has been performed at several venues in Norway, Sweden, Indonesia, and Mexico.

  • Cuban writer Carlos Manuel Álvarez is the author of three books: the short-story collection La tarde de los sucesos definitivos (2014); the collection of chronicles La tribu: retratos de Cuba (2017); and, most recently, the novel Los caídos (forthcoming in English translation by Frank Wynne for Fitzcarraldo Editions). His articles and chronicles have appeared in The New York TimesEl MalpensanteLetras LibresGatopardoLa NaciónClarínHuffington Post MéxicoGQ, and Vice. In 2017 he was named to the Bogotá39, a list of the Latin America’s 39 most promising writers under 40. He is cofounder of the online magazine El Estornudo

  • María Fernanda Ampuero was born in Guayaquil, Ecuador, in 1976 and studied literature. She collaborates with various international media outlets and to date has published two books of chronicles, Lo que aprendí en la peluquería [What I learned in the hair salon] and Permiso de residencia [Residency permit]. In 2016 she won the Cosecha Eñe short story prize. Pelea de Gallos [Cockfight] is her first collection of stories.

  • Fernando Ampuero, Peruvian author of short stories and novels, poet, journalist, and playwright, was born in Lima in 1949. His literary work includes the novels Caramelo verde [Green candy] (1992), Puta linda [Pretty whore] (2006),  Hasta que me orinen los perros [Until the dogs piss on me] (2008), and Loreto (2014), which make up his Cuarteto de Lima [Lima quartet] (2019), and the novles El peruano imperfecto [The imperfect Peruvian ] (2011) and Sucedió entre dos párpados [It happened between two eyelids] (2015), as well as the short story collections Paren el mundo que acá me bajo [Stop the world, I'm getting off here] (1972), Deliremos juntos [Let's rave together] (1975), Malos modales [Bad manners] (1994), Bicho raro [Weirdo] (1996), Mujeres difíciles, hombres benditos [Difficult women, blessed men] (2005), Cuentos [Stories] (2013), Íntimos y salvajes [Intimate and savage] (2017), Lobos solitarios y otros cuentos [Lone wolves and other stories] (2018), Mientras arden los sueños [While the dreams burn] (2019), and Jamás en la vida [Never in my life] (2019). Other works of his include: Antología personal [Personal anthology] (2012), the books of notes and essays Gato encerrado [Locked-in cat] (1987), Viaje de ida [One-way trip] (2012) and Tambores invisibles [Invisible drums] (2015), the novelized chronicles that make up his memoirs, El enano, historia de una enemistad  [The dwarf, history of an emnity] (2001) and La Bruja de Lima [The witch of Lima] (2018),  the stage plays Arresto domiciliario, comedia feroz [House arrest, a fierce comedy] (2003) and Un fraude epistolar, tragicomedia [An epistolary fraud, a tragicomedy] (2014), and the verse collections Voces de luna llena [Voices of the full moon] (1998) and 40 poemas [40 poems] (2010), a compilation of his poems. Fernando Ampuero's work has been translated to many languages, and he was awarded the 2018 Premio FIL Lima de Literatura.

  • María Fernanda Ampuero was born in Guayaquil, Ecuador, in 1976 and studied literature. She collaborates with various international media outlets and to date has published two books of chronicles, Lo que aprendí en la peluquería and Permiso de residencia. In 2016 she won the Cosecha Eñe short story prize. Pelea de Gallos is her first collection of stories.

  • Liliana Ancalao (b. 1961) is a member of the Mapuche-Tehuelche Nankulaven community in the Patagonian province of Chubut in southern Argentina. She is a leading Mapuche poet, and her academic investigations of Mapuche culture and indigenous musics are similarly acclaimed.

  • Albalucía Ángel Marulanda (1939- ) is a celebrated author in Colombia, where her writing is considered vitally important as a historic testimony of one of the nation’s most violent periods, La Violencia (1948-1958). Her works embody a feminist perspective and wrestle with topics such as women’s rights and Colombian history. Her most recognized novel, Estaba la pájara pinta sentada en el verde limón, was awarded the prize Vivencias de Cali (1975). Her texts are recognized for their capacity to evoke traditional Colombian culture and for emphasizing the perspectives of underrepresented actors in society. Ángel has used her voice to support other Latin American women writers and to advocate for women’s rights. In 2006, the Third Conference on Colombian Writers was dedicated to her work and historical contributions in challenging gender stereotypes.

  • Susana L. M. Antunes holds a PhD in Portuguese and Brazilian Studies from the University of Massachusetts-Amherst. She is Assistant Professor of Portuguese at the University of Wisconsin-Milwaukee, where she is the Portuguese Program Coordinator and teaches Language, Literature, and Culture of the Lusophone world. Her research interests include travel poetry, Macaronesia island Literature, Ecocriticism, and short fiction by women authors from the Lusophone world. 

  • Ioannis Antzus Ramos (Madrid, 1984) earned his doctorate in Hispano-American Literature at the Universidad de Salamanca and his undergraduate degree in Hispanic Philology at the Universidad Complutense de Madrid. He currently works as Coordinator of Humanities and Social Sciences at the American University in Dubai. His academic area of specialization is contemporary Venezuelan literature. He is author of the book La última claridad (Universidad de Murcia, 2017) on the literary thought of Guillermo Sucre (1933-2021). He recently published the articles “Doña Bárbara y lo político” and “El pensamiento juvenil de Mariano Picón Salas (1916-1920).” He is co-editor of the volume Voces y escrituras de Venezuela (Caracas, 2011) and editor of the dossier “Poesía venezolana en el siglo XXI” (Guaraguao, 2020).

  • João Anzanello Carrascoza is a writer and advertising editor at JW Thompson in São Paulo. His short story “O Vaso Azul” won the Radio France Internationale Guimarães Rosa Prize in Paris and his book O volume do silêncio (2006, short stories) won the Jabuti, the most important literary prize in Brazil.

  • Marta Aponte Alsina (Puerto Rico, 1945) is a novelist, short story writer, essayist, and literary critic. She has published the novels Angélica furiosa (1994), El cuarto rey mago (1996), Vampiresas (2004), Sexto sueño (2007), El fantasma de las cosas (2010), Sobre mi cadáver (2012), Mr. Green (2013), and La muerte feliz de William Carlos Williams (2015, 2017), as well as short story collections and essays. She also runs a blog, angelicafuriosa.blogspot.com, and a Facebook page. She was a finalist for the Premio Sor Juana Inés de la Cruz in 1997 at the Guadalajara International Book Fair for El cuarto rey mago, and she received the Premio del Instituto de Literatura Puertorriqueña in 2000 for La casa de la loca y otros relatos and the Premio Nacional de Novela 2008 from the Puerto Rico PEN Club for Sexto sueño. She is currently working on her next novel.

  • Miguelángel López (Vito Apüshana) (La Guajira, Colombia, 1965) is a poet, professor at the University of La Guajira, and television producer. His poetic work includes Contrabandeo sueños con arijunas cercanos (1993) and Encuentros en los senderos de Abya Yala, which won the Casa de las Américas prize. He is a native of Carraipía, a town near Maicao, La Guajira. Along with his activity as a poet, Vito Apüshana has served as a cultural manager and human rights activist throughout the Guajira region. He is an active member of the Coordinating Committee of the Junta Mayor de Palabreros Wayuú.

  • Juan Arabia (born June 18, 1983 in Buenos Aires, Argentina) is a poet, translator, and literary critic. He is a graduate of the Faculty of Social Sciences of the University of Buenos Aires, where prepared and published a thesis on John Fante and Italian-American working class culture. He is currently the director of the press and journal Buenos Aires Poetry, which has published works by writers including John Ashbery, Dan Fante, Robert Darnton, Mark Ford, and Alan Jenkins, among others. He also collaborates with various other publications, including the journal of the University of La Rioja, Department of Modern Philologies (Spain), the La Torre del Virrey journal of Cultural Studies (Universidad Internacional Menéndez Pelayo de Valencia), the cultural supplement of Diario Perfil (Argentina), and as Argentine correspondent of POESIA (Universidad de Carabobo, Venezuela).

    His published books include John Fante: Entre la niebla y el polvo (El fin de la noche: Buenos Aires, 2011); PosData a la Generación Beat (Buenos Aires Poetry: Buenos Aires, 2014); El Enemigo de los Thirties (Buenos Aires Poetry: Buenos Aires, 2015); John Fante: Camino de los sueños diurnos (Buenos Aires Poetry: Buenos Aires, 2016); El Enemigo de los Thirties (Ril Valley: Chile, Los Leones, 2017); Il Nemico dei Thirties (Samuele Editore, 2017); and collana Scilla (Fana, Italia). His translations include Nuevos Versos y Canciones (Arthur Rimbaud, 2014); Un-gin-meando… (Dan Fante, 2015); and Lustra (Ezra Pound, 2016), among others

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