Gwendolyn Harper has translated work by Chilean writers Pedro Lemebel, Lina Meruane, and Nelly Richard, as well as the Spanish author Emilia Pardo Bazán. Her translations and essays have appeared in D21 Editions, JoLT, and The Caravan. She will be starting an MFA in fiction at Brown University this fall
Katherine M. Hedeen is the National Endowment for the Humanities Distinguished Teaching Associate Professor of Spanish at Kenyon College. She specializes in Latin American poetry and has researched and translated numerous contemporary authors from the region. Her translations appear extensively in prestigious American and British literary journals. Her published book-length translations include collections by Juan Bañuelos, Juan Calzadilla, Marco Antonio Campos, Luis García Montero, Juan Gelman, Fayad Jamís, José Emilio Pacheco, Víctor Rodríguez Núñez, and Ida Vitale. She is an associate editor of Earthwork’s Latin American Poetry in Translation Series for Salt Publishing.
Katherine M. Hedeen is a translator, literary critic, and essayist. A specialist in Latin American poetry, she has translated some of the most respected voices from the region. Her publications include book-length collections by Jorgenrique Adoum, Juan Bañuelos, Juan Calzadilla, Juan Gelman, Fayad Jamís, Hugo Mujica, José Emilio Pacheco, Víctor Rodríguez Núñez, and Ida Vitale, among many others. She is a recipient of two NEA Translation grants in the US and a PEN Translates award in the UK. She is the Associate Editor for Action Books and the Poetry in Translation Editor at the Kenyon Review. She resides in Ohio, where she is Professor of Spanish at Kenyon College. More information at: www.katherinemhedeen.com
Janet Hendrickson translates from Spanish and Portuguese. Her experimental translation of Sebastián de Covarrubias’s Treasure of the Castilian or Spanish Language (New Directions, 2019), which turns the original Golden Age dictionary into a series of prose poems, was longlisted for the 2020 PEN Award for Poetry in Translation. She is also the translator of The Future Is Not Ours (ed. Diego Trelles Paz, Open Letter, 2012), an anthology of contemporary Latin American fiction. She holds a PhD in Romance Studies from Cornell and an MFA in Nonfiction Writing from the University of Iowa.
George Henson is the translator of many of Latin America’s most important writers, including Cervantes laureates Sergio Pitol (The Art of Flight, The Journey, The Magician of Vienna, and Mephisto’s Waltz: Selected Short Stories) and Elena Poniatowska (The Heart of the Artichoke). His translations have appeared in World Literature Today, the Paris Review, Granta, and Two Lines. In addition to serving as an editor-at-large for Latin American Literature Today, he is an assistant professor of Spanish Translation at the Middlebury Institute of International Studies in Monterey.
Rowena Hill lives in Mérida, Venezuela. She has taught English Literature at the Universidad de los Andes in Mérida, and she has published several verse collections in Spanish, as well as poems, essays, and translations in Venezuelan, Colombian, Indian, and US publications. She has translated some of the best known Venezuelan poets into English.
Edward Waters Hood has translated several Central American novels, including works by Rosario Aguilar, Manlio Argueta, Mario Roberto Morales, Linda Berrón, and Roberto Castillo. He has taught Latin American literature at Northern Arizona University since 1991.
Sophie Hughes is a literary translator from Spanish, known for her translations of writers such as Alia Trabucco Zerán, Rodrigo Hasbún, Enrique Vila-Matas and José Revueltas. In 2020 she was shortlisted for the International Booker Prize for her translation of Fernanda Melchor’s Hurricane Season.
Sydney Hutchinson is an ethnomusicologist, folklorist, and pianist by training. She has published several books and numerous articles in both Spanish and English on Latin American and Caribbean music and dance. Currently living in Berlin, she spends her spare time yodeling and playing protest music on accordion.