X-Ajaw te yakubteson sok te st’ujbilale.
Ja’ la smukbon jsit k’alal alalonto-a
K’alal te jme’e yot’anax swayteson
Yu’un jich ya xiwtes bael-a ta sk’ajk’al sitile.
Sok te sch’ababet ta sbajtel k’inal
Ya smakbon te k’aal jich bit’il pixil
Ja’nix jich ya me speton ta sikil k’inal.
Ta jujun rominko ya smukbon jmul
K’alal jpok sok sk’op kajualtik te binti jkujch’in
Yu’un jich ma jmajuley jba sok te snujk’ulel woklajel.
Ya jst’ikbeytik smul te sbiile
Melel ja’ yak’ x-a’anon sok te jwayichiletike,
Banti xpaxaj te sna’jibal ku’une.
Te ya sts’ujetsbon yalal kijk’atse
K’alal yakalon bael ta sleel te banti ya xk’otone.
She is a goddess drunk on beauty.
She hides the newborn’s face
while its mother lulls it to sleep,
warding off the evil eye.
Desiring eternal silence,
she shades my head from the sun
and embraces me warmly on my coldest days.
She covers my sins on Sundays,
as I cleanse my guilt with Our Father’s
to save myself from torment’s eternal whip.
Her name is a pretext
that curls up next to me to chat with my dreams
and wandering memories.
She’s the same one,
who lightens my load, knotted to my chest,
while I walk toward my destiny.
Aka xch’oj lok’el bayal puyetik te nab
yu’un yich’ bonel bats’il nopjibbaletik
sok sbonojibal te smon k’eluyeletik.
Aka spas yach’il namal wayichiletik sok te stujb buts’an yik’,
k’unk’unuk xch’albey sk’op uma’ pak’etik
nichimetik te yak’bey sbujts’ kuxlejal ta sikil kinal.
Sea Snail Dye
Let the purple sea gather in foaming clouds
to dye mythic memories
with its eye-seducing tint.
Let its perfumed saliva invent fantasies,
unhurriedly adorn the language of mute cloth
with flowers that weather life in winter.
Ta sonil animajel sk’ab
sniuy na’jibal te ants
swenta kuxlejalil te ch’ayemix ta ot’anil.
Ta jujun sutetel sjojk’an sba k’ayojetik
snitbey yak’ul kuxlejalil,
jich yakal ta sniuyel wayichiletik
te sk’ejbey slok’onbail sujt’esel.
To the rhythm of her fast hands
the spinner spins memories
of forgotten histories.
With every turn she hangs songs,
fastening the strings of existence;
that’s how she spins dreams
that bear the marks of return.
Ja’ jich sok spisil te boniletike
x-ach’ub ta jk’ab te balumilale,
oranax la stak’ jal te batsil pak’
ta yolil snaul xch’ajlel te bayal sok sba
te yotik into ya spasbey slok’onbail jbiil
te ya sjeluley sba ta jujun k’aal.
Sok cholochol sna’jibal ot’anil
la jch’al te kuxlejalil ta sjalbil u,
la jsts’isbey te chaoxchajp sbonil wayichil
jich wojt’ te jalbil pak’ ta yolilal sbik’tal jk’ab.
Ay me ya xtuun ta k’in,
ay me sk’u’in te abatetik sok jalame’tiketik,
sok ay me te ya xtuun ta rominko k’alal xbootik ta ch’iwich.
Yot’an jal pak’
Snujk’ulel nopjibal te xkuxin ta sbajtel k’inal.
It was a dream.
And so with all its colors
I renewed the world in my hands,
weaving spinning wonders
among stubborn motifs
that now outline my name
apart from my everyday name.
With the lines of memories
I painted life on the moon’s loom,
I embroidered the colors of dreams
and my huipil flowered between my fingers.
There are huipils for festivals,
for virgins, for saints,
and for the Sunday market.
the immortal skin of memory.
Translated by Paul M. Worley
Adriana López is a teacher and Maya-Tseltal translator from Chalam del Carmen, Ocosingo, Chiapas. She holds a degree in Anthropology from the Department of Social Sciences, Campus III. She has participated in a number of creative writing seminars and programs. In 2003 she received the Premio Estatal de Poesía Indígena Pat O' tan. She;s the autor of Jalbil K’opetik/Palabras Tejidas (2005) and Naetik/Hilos (2011), the latter being part of Tierra Adentro magazine’s La Ceibita series. She won a Jóvenes creadores grant from FONCA for 2009-10, 2012-13, and 2016-17.She translated Rosario Castellanos’s poetry collectiom “El rescate del mundo” into Tseltal (2011), and in 2015 was recognized by the Ocosingo’s city government for her distinguished career as an Ocosingan poet and writer. At present she is a professor at the Universidad Intercultural de Chiapas.
Paul M. Worley is Associate Professor of Global Literature at Western Carolina University. He is the author of Telling and Being Told: Storytelling and Cultural Control in Contemporary Yucatec Maya Literatures (2013; oral performances recorded as part of this book project are available at tsikbalichmaya.org), and with Rita M. Palacios is co-author of the forthcoming Unwriting Maya Literature: Ts’íib as Recorded Knowledge (2019). He is a Fulbright Scholar, and 2018 winner of the Sturgis Leavitt Award from the Southeastern Council on Latin American Studies. In addition to his academic work, he has translated selected works by Indigenous authors such as Hubert Malina, Adriana López, and Ruperta Bautista, serves as editor-at-large for México for the journal of world literature in English translation, Asymptote, and as poetry editor for the North Dakota Quarterly.
The eighth issue of Latin American Literature pays homage to Nicaraguan writer and politician Sergio Ramírez, winner of the 2017 Cervantes Prize and an important voice in a country currently gripped by crisis. We also feature poetry from Octavio Armand, as well as special sections dedicated to four indigenous writers of Mexico and Guatemala, bilingual sci-fi from Worldcon 76, and the poetry of Marosa di Giorgio, Olga Orozco, and Elena Garro.
Table of Contents
- ESSAY: "The Essays of Sergio Ramírez" by Nicasio Urbina
- ESSAY: "Sergio Ramírez, the More-Than-Deserving Cervantes" by José Juan Colín
- INTERVIEW: Sergio Ramírez: "I do not know of a single novel that has brought about a revolution": A Conversation with Tulio Hernández
- ESSAY: "Cervantes Prize 2017 Acceptance Speech" by Sergio Ramírez
- ESSAY: "Octavio Armand and the Undoing of Cuban’s Literary Tradition" by Johan Gotera
- ESSAY: "Think of Overlook" by Alejandro Sebastiani Verlezza
- ESSAY: "Octavio Armand and Zequeira's Hat" by Rafael Rojas
- ESSAY: "Heraclitus’ Arrow" by Octavio Armand
- POETRY: Three Poems by Octavio Armand
- INTERVIEW: Octavio Armand: "A Concert for Misconduct": A Conversation with Roberto Cantú
- ESSAY: "Genre in Mexico and the Crazy, Joyful Adventure of the Anthology for The Mexicanx Initiative" by Stephen C. Tobin and Libia Brenda
- CHRONICLE: "The Long-Overdue Recognition of Mexicanx Science Fiction at This Year’s WorldCon76" by Stephen C. Tobin
- FICTION: "Shoot" by Pepe Rojo
- FICTION: "Kan/Trahc" by Iliana Vargas
- FICTION: "Aztlán Liberated" by David Bowles
- FICTION: "A Truth Universally Acknowledged" by Julia Rios
- COMIC: "Rhizome" by Libia Brenda and Richard Zela
- Felipe Restrepo Pombo: “Any writer who wants to specialize has to be a voracious reader": A Conversation with Claudia Cavallin
- "Between Humor and Horror: An interview with Heather Cleary, translator of Comemadre" by Denise Kripper
- Ricardo Cárcamo: "I wrote the annotations in the 2017 edition of The New Novel": A Conversation with Scott Weintraub
- Death Comes in Through the Kitchen by Teresa Dovalpage
- Cadavers by Néstor Perlongher
- Museo animal by Carlos Fonseca
- Sombra de Paraíso by Claudia Sierich
- Luz negra by Noel Luna
- Una novela criminal by Jorge Volpi
- The Bottom of the Sky by Rodrigo Fresán
- Comemadre by Roque Larraquy
- Savage Theories by Pola Oloixarac
- Inscripción de la Deriva by Ismael Gavilán